-This is a meaty meal of thrills! Highly recommended!- - Ryne Douglas Pearson, author of SIMPLE SIMON and screenwriter of the boxoffice hit, KNOWING -PROGENY is a well-researched and fast-paced thriller. The characters are engaging and real, the story line plausible and fascinating, and the writing well done.- -Larry Enright, best-selling author of FOUR YEARS FROM HOME and 12/21/12 -You'll question what you believe and want to learn more. Well researched and well written.- -Douglas Dorow, author of THE NINTH DISTRICT -Cussler, Brown, Hopkins! The careful plotting no doubt owes itself to the massive research that Hopkins had to have done to pull off such a well-worked mystery. Reminiscent of Dan Browns' use of Biblical lore in Angels and Demons and Clive Cussler's wonderful maritime locales... Dynamic characters, wonderful settings, and unbelievable twists kept me turning the pages!- -Heidi Ruby Miller, author of AMBASADORA and GREENSHIFT -PROGENY is a gritty, bloody tale that will make you think, question and cringe from one page to the next.- - Christopher Starr, author of THE ROAD TO HELL It has been months since John Carter's estranged brother, Henry, has gone missing. When last heard from, he was sailing off to Bermuda in search of an author whose books deal with the esoteric traditions of past ages. Reluctantly, John joins Henry's old Special Forces Teammates on a trip to Bermuda, hoping to discover the truth behind Henry's disappearance. But not all is as it seems in Bermuda, and the puzzle that awaits John on the small island paradise will prove to be more sinister than anything the world has seen in a very, very long time. As the fingers of an ancient evil seek to draw him into another world - a world where all of Hell is trying to break loose - John must confront the truth of his own past... and pray that he might survive its revelation... ...that the WORLD might survive its revelation. See the booktrailer at the author's Amazon page.
An astonishing novel about redemption and forgiveness from the "amazingly talented writer" (Huffington Post) and #1 New York Times bestselling author Jodi Picoult.
Some stories live forever . . .
Sage Singer is a baker. She works through the night, preparing the day's breads and pastries, trying to escape a reality of loneliness, bad memories, and the shadow of her mother's death. When Josef Weber, an elderly man in Sage's grief support group, begins stopping by the bakery, they strike up an unlikely friendship. Despite their differences, they see in each other the hidden scars that others can't.
Everything changes on the day that Josef confesses a long-buried and shame-ful secret and asks Sage for an extraordinary favor. If she says yes, she faces not only moral repercussions, but potentially legal ones as well. With the integrity of the closest friend she's ever had clouded, Sage begins to question the assumptions and expectations she's made about her life and her family. In this searingly honest novel, Jodi Picoult gracefully explores the lengths to which we will go in order to keep the past from dictating the future.
THE INSTANT BESTSELLER - An indelible portrait of girls, the women they become, and that moment in life when everything can go horribly wrong
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Washington Post - NPR - The Guardian - Entertainment Weekly - San Francisco Chronicle - Financial Times - Esquire - Newsweek - Vogue - Glamour - People - The Huffington Post - Elle - Harper's Bazaar - Time Out - BookPage - Publishers Weekly - Slate
Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged--a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence.
Finalist for the Los Angeles Times Book Prize - Finalist for the National Book Critics Circle John Leonard Award - Shortlisted for The Center for Fiction First Novel Prize - The New York Times Book Review Editors' Choice - Emma Cline--One of Granta's Best of Young American Novelists
Praise for The Girls
"Emma Cline has an unparalleled eye for the intricacies of girlhood, turning the stuff of myth into something altogether more intimate."--Lena Dunham
"Spellbinding . . . a seductive and arresting coming-of-age story."--The New York Times Book Review
"Extraordinary . . . Debut novels like this are rare, indeed."--The Washington Post
"Hypnotic."--The Wall Street Journal
"Gorgeous."--Los Angeles Times
"Astonishing."--The Boston Globe
"Superbly written."--James Wood, The New Yorker
"Intensely consuming."--Richard Ford
"A spectacular achievement."--Lucy Atkins, The Times
"Compelling and startling."--The Economist
"Elegant and nostalgic."--Julie Beck, The Atlantic
"Masterful . . . In the cult dynamic, Cline has seen something universal--emotions, appetites, and regular human needs warped way out of proportion--and in her novel she's converted a quintessentially '60s story into something timeless."--Christian Lorentzen, New York
Instant New York Times Bestseller; named a Best Book of 2016 by People, the Washington Post, the San Francisco Chronicle, Refinery29, NPR and LibraryReads.
-Hilarious and big-hearted, The Nest is a stellar debut.- -- People
-Her writing is like really good dark chocolate: sharper and more bittersweet than the cheap stuff, but also too delicious not to finish in one sitting.--- Entertainment Weekly
-Humor and delightful irony abound in this lively first novel.--- New York Times Book Review
A warm, funny and acutely perceptive debut novel about four adult siblings and the fate of the shared inheritance that has shaped their choices and their lives.
Every family has its problems. But even among the most troubled, the Plumb family stands out as spectacularly dysfunctional. Years of simmering tensions finally reach a breaking point on an unseasonably cold afternoon in New York City as Melody, Beatrice, and Jack Plumb gather to confront their charismatic and reckless older brother, Leo, freshly released from rehab. Months earlier, an inebriated Leo got behind the wheel of a car with a nineteen-year-old waitress as his passenger. The ensuing accident has endangered the Plumbs' joint trust fund, -The Nest, - which they are months away from finally receiving. Meant by their deceased father to be a modest mid-life supplement, the Plumb siblings have watched The Nest's value soar along with the stock market and have been counting on the money to solve a number of self-inflicted problems.
Melody, a wife and mother in an upscale suburb, has an unwieldy mortgage and looming college tuition for her twin teenage daughters. Jack, an antiques dealer, has secretly borrowed against the beach cottage he shares with his husband, Walker, to keep his store open. And Bea, a once-promising short-story writer, just can't seem to finish her overdue novel. Can Leo rescue his siblings and, by extension, the people they love? Or will everyone need to reimagine the futures they've envisioned? Brought together as never before, Leo, Melody, Jack, and Beatrice must grapple with old resentments, present-day truths, and the significant emotional and financial toll of the accident, as well as finally acknowledge the choices they have made in their own lives.
This is a story about the power of family, the possibilities of friendship, the ways we depend upon one another and the ways we let one another down. In this tender, entertaining, and deftly written debut, Cynthia D'Aprix Sweeney brings a remarkable cast of characters to life to illuminate what money does to relationships, what happens to our ambitions over the course of time, and the fraught yet unbreakable ties we share with those we love.
THE NEW YORK TIMES BESTSELLER
Finalist for the Kirkus Prize for Best Novel
A New York Times Notable Book
A Washington Post Best Book of the Year
From Annie Proulx--the Pulitzer Prize-- and National Book Award--winning author of The Shipping News and "Brokeback Mountain," comes her masterwork: an epic, dazzling, violent, magnificently dramatic novel about the taking down of the world's forests.
In the late seventeenth century two penniless young Frenchmen, Rene Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a "seigneur," for three years in exchange for land, they become wood-cutters--barkskins. Rene suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi'kmaw woman and their descendants live trapped between two inimical cultures. But Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business. Proulx tells the stories of the descendants of Sel and Duquet over three hundred years--their travels across North America, to Europe, China, and New Zealand, under stunningly brutal conditions--the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over again, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse.
Proulx's inimitable genius is her creation of characters who are so vivid--in their greed, lust, vengefulness, or their simple compassion and hope--that we follow them with fierce attention. Annie Proulx is one of the most formidable and compelling American writers, and Barkskins is her greatest novel, a magnificent marriage of history and imagination.
Grunt tackles the science behind some of a soldier's most challenging adversaries--panic, exhaustion, heat, noise--and introduces us to the scientists who seek to conquer them. Mary Roach dodges hostile fire with the U.S. Marine Corps Paintball Team as part of a study on hearing loss and survivability in combat. She visits the fashion design studio of U.S. Army Natick Labs and learns why a zipper is a problem for a sniper. She visits a repurposed movie studio where amputee actors help prepare Marine Corps medics for the shock and gore of combat wounds. At Camp Lemmonier, Djibouti, in east Africa, we learn how diarrhea can be a threat to national security. Roach samples caffeinated meat, sniffs an archival sample of a World War II stink bomb, and stays up all night with the crew tending the missiles on the nuclear submarine USS Tennessee. She answers questions not found in any other book on the military: Why is DARPA interested in ducks? How is a wedding gown like a bomb suit? Why are shrimp more dangerous to sailors than sharks? Take a tour of duty with Roach, and you'll never see our nation's defenders in the same way again.
AN NPR BEST BOOK OF THE YEAR 2016
"I'm Thinking of Ending Things is one of the best debut novels I've ever read. Iain Reid has crafted a tight, ferocious little book, with a persistent tenor of suspense that tightens and mounts toward its visionary, harrowing final pages" (Scott Heim, award-winning author of Mysterious Skin and We Disappear).
You will be scared. But you won't know why...
I'm thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It's always there. Always.
Jake once said, "Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can't fake a thought."
And here's what I'm thinking: I don't want to be here.
In this smart, suspenseful, and intense literary thriller, debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago's early work, Michel Faber's cult classic Under the Skin, and Lionel Shriver's We Need to Talk about Kevin, I'm Thinking of Ending Things is an edgy, haunting debut. Tense, gripping, and atmospheric, this novel pulls you in from the very first page...and never lets you go.
"Original and imaginative . . . Ripping suspense, sheer terror, and a wrenching love story." --Sandra Brown, New York Times bestselling author of Friction
The terrible truth about Manderley is that someone is always watching.
Manderley Resort is a gleaming, new twenty-story hotel on the California coast. It's about to open its doors, and the world--at least those with the means to afford it--will be welcomed into a palace of opulence and unparalleled security. But someone is determined that Manderley will never open. The staff has no idea that their every move is being watched, and over the next twelve hours they will be killed off, one by one.
Writing in the tradition of Edgar Allan Poe and Stephen King, and with a deep bow to Daphne du Maurier, author Gina Wohlsdorf pairs narrative ingenuity and razor-wire prose with quick twists, sharp turns, and gasp-inducing terror. Security is grand guignol storytelling at its very best.
A shocking thriller, a brilliant narrative puzzle, and a multifaceted love story unlike any other, Security marks the debut of a fearless and gifted writer.
"Be surprised, be very surprised: Gina Wohlsdorf brings more than just plot twists and a terrifically tender love story to this thriller . . . It's her playful homage to Hitchcock and du Maurier that had me reading, howling, and just plain loving this novel." --Sara Gruen, author of At the Water's Edge
"Grand Hotel meets Psycho in the age of surveillance . . . Security is cinematically vivid, crisply written, and sharp enough to cut . . . Wohlsdorf brilliantly subverts our expectations of the action genre in this smart, shocking, poignant thriller." --Emily Croy Barker, author of The Thinking Woman's Guide to Real Magic
"The thrill of this novel goes beyond its wickedly clever, split-screen, high-tech wizardry--a kind of video gamer's literary retake of Hitchcock's Rear Window--and emanates from its strange, disembodied narrator . . . The effect is terrifying, sexy, dizzying, and impossible to look away from." --Tim Johnston, author of Descent
"Shocking and filled with Tarantino-ish dark humor. . . Structurally reminiscent of the amazing Jennifer Egan, Wohlsdorf's book is certainly a hybrid, like nothing else. Get ready." --Ann Beattie, author of The State We're In
"Flawless . . . Security is perfectly tuned for blockbuster status . . . They don't make a hotel big enough to house all the people who will want to read this, and soon, as in Manderley, all eyes will be on Wohlsdorf." --Daniel Kraus, Booklist, starred review
THE #1 NEW YORK TIMES BESTSELLER
A New York Times Notable Book
The spectacular finale to the New York Times bestselling trilogy that began with Mr. Mercedes (winner of the Edgar Award) and Finders Keepers--In End of Watch, the diabolical "Mercedes Killer" drives his enemies to suicide, and if Bill Hodges and Holly Gibney don't figure out a way to stop him, they'll be victims themselves.
In Room 217 of the Lakes Region Traumatic Brain Injury Clinic, something has awakened. Something evil. Brady Hartsfield, perpetrator of the Mercedes Massacre, where eight people were killed and many more were badly injured, has been in the clinic for five years, in a vegetative state. According to his doctors, anything approaching a complete recovery is unlikely. But behind the drool and stare, Brady is awake, and in possession of deadly new powers that allow him to wreak unimaginable havoc without ever leaving his hospital room.
Retired police detective Bill Hodges, the unlikely hero of Mr. Mercedes and Finders Keepers, now runs an investigation agency with his partner, Holly Gibney--the woman who delivered the blow to Hartsfield's head that put him on the brain injury ward. When Bill and Holly are called to a suicide scene with ties to the Mercedes Massacre, they find themselves pulled into their most dangerous case yet, one that will put their lives at risk, as well as those of Bill's heroic young friend Jerome Robinson and his teenage sister, Barbara. Brady Hartsfield is back, and planning revenge not just on Hodges and his friends, but on an entire city.
In End of Watch, Stephen King brings the Hodges trilogy to a sublimely terrifying conclusion, combining the detective fiction of Mr. Mercedes and Finders Keepers with the heart-pounding, supernatural suspense that has been his bestselling trademark. The result is an unnerving look at human vulnerability and chilling suspense. No one does it better than King.
-A timely, sophisticated tale [that] explores what happens when a charmed life loses its luster.- -O Magazine
From the award-winning author of No One Is Here Except All of Us, an imaginative novel about a wealthy New England family in the 1960s and '70s that suddenly loses its fortune--and its bearings.
An NPR Best Book of 2016
One of Best Books of Summer -O Magazine
One of The 12 Summer Books That Everyone Will Be Talking About -Harper's Bazaar
One of 20 Books Perfect for Your Summer Vacay -Refinery29
One of 22 Summer Books You Won't Want to Miss -Huffington Post
One of 19 Summer Books that Everyone Will be Talking About - Elle.com
One of the Most Anticipated Books of 2016 -The Millions
One of 30 Best New Books for Summer 2016 -Good Housekeeping
One of 30 Books You Should Read this Summer -Chicago Tribune
Labor Day, 1976, Martha's Vineyard. Summering at the family beach house along this moneyed coast of New England, Fern and Edgar--married with three children--are happily preparing for a family birthday celebration when they learn that the unimaginable has occurred: There is no more money. More specifically, there's no more money in the estate of Fern's recently deceased parents, which, as the sole source of Fern and Edgar's income, had allowed them to live this beautiful, comfortable life despite their professed anti-money ideals. Quickly, the once-charmed family unravels. In distress and confusion, Fern and Edgar are each tempted away on separate adventures: she on a road trip with a stranger, he on an ill-advised sailing voyage with another woman. The three children are left for days with no guardian whatsoever, in an improvised Neverland helmed by the tender, witty, and resourceful Cricket, age nine.
**One of Amazon's Best Books of 2016: Top 100 Editors' Picks**
A rollicking look at 1971, rock's golden year, the year that saw the release of the indelible recordings of Led Zeppelin, David Bowie, the Who, Rod Stewart, Carole King, the Rolling Stones, and others and produced more classics than any other year in rock history
The Sixties ended a year late. On New Year's Eve 1970 Paul McCartney instructed his lawyers to issue the writ at the High Court in London that effectively ended the Beatles. You might say this was the last day of the pop era.
1971 started the following day and with it the rock era. The new releases of that hectic year--Don McLean's "American Pie," Sly Stone's "Family Affair," Marvin Gaye's "What's Going On," Joni Mitchell's "Blue," Led Zeppelin's "Stairway To Heaven," the Who's "Baba O'Riley," and many others--are the standards of today.
David Hepworth was twenty-one in 1971, and has been writing and broadcasting about music ever since. In this entertaining and provocative book, he argues that 1971 saw an unrepeatable surge of musical creativity, technological innovation, naked ambition and outrageous good fortune that combined to produce music that still crackles with relevance today. There's a story behind every note of that music. From the electric blue fur coat David Bowie wore when he first arrived in America in February to Bianca's neckline when she married Mick Jagger in Saint-Tropez in May, from the death of Jim Morrison in Paris in July to the re-emergence of Bob Dylan at Madison Square Garden in August, from the soft launch of Carole King's "Tapestry" in California in February to the sensational arrival of Led Zeppelin's "Stairway To Heaven" in London in November, Hepworth's forensic sweep takes in all the people, places and events that helped make 1971 rock's unrepeatable year.
New York Times Bestseller
NPR Best Book of 2016
"Sharp and prescient... The appeal of Valenti's memoir lies in her ability to trace objectification through her own life, and to trace what was for a long time her own obliviousness to it...Sex Object is an antidote to the fun and flirty feminism of selfies and self-help." -- New Republic
Hailed by the Washington Post as "one of the most visible and successful feminists of her generation," Jessica Valenti has been leading the national conversation on gender and politics for over a decade. Now, in a memoir that Publishers Weekly calls "bold and unflinching," Valenti explores the toll that sexism takes on women's lives, from the everyday to the existential. From subway gropings and imposter syndrome to sexual awakenings and motherhood, Sex Object reveals the painful, embarrassing, and sometimes illegal moments that shaped Valenti's adolescence and young adulthood in New York City.
In the tradition of writers like Joan Didion and Mary Karr, Sex Object is a profoundly moving tour de force that is bound to shock those already familiar with Valenti's work, and enthrall those who are just finding it.
A riveting investigation of the myriad ways that parasites control how other creatures--including humans--think, feel, and act.
These tiny organisms can only live inside another animal, and as McAuliffe reveals, they have many evolutionary motives for manipulating their host's behavior. Far more often than appreciated, these puppeteers orchestrate the interplay between predator and prey. With astonishing precision, parasites can coax rats to approach cats, spiders to transform the patterns of their webs, and fish to draw the attention of birds that then swoop down to feast on them.
We humans are hardly immune to the profound influence of parasites. Organisms we pick up from our own pets are strongly suspected of changing our personality traits and contributing to recklessness, impulsivity--even suicide. Microbes in our gut affect our emotions and the very wiring of our brains. Germs that cause colds and flu may alter our behavior even before symptoms become apparent.
Parasites influence our species on the cultural level too. As McAuliffe documents, a subconscious fear of contagion impacts virtually every aspect of our lives, from our sexual attractions and social circles to our morals and political views. Drawing on a huge body of research, she argues that our dread of contamination is an evolved defense against parasites--and a double-edged sword. The horror and revulsion we feel when we come in contact with people who appear diseased or dirty helped pave the way for civilization, but may also be the basis for major divisions in societies that persist to this day.
In the tradition of Jared Diamond's Guns, Germs and Steel and Neil Shubin's Your Inner Fish, This Is Your Brain on Parasites is both a journey into cutting-edge science and a revelatory examination of what it means to be human.
From one of America's greatest comic novelists, a hilarious new novel about aging, family, loneliness, and love
The Bergman clan has always stuck together, growing as it incorporated in-laws, ex-in-laws, and same-sex spouses. But families don't just grow, they grow old, and the clan's matriarch, Joy, is not slipping into old age with the quiet grace her children, Molly and Daniel, would have wished. When Joy's beloved husband dies, Molly and Daniel have no shortage of solutions for their mother's loneliness and despair, but there is one challenge they did not count on: the reappearance of an ardent suitor from Joy's college days. And they didn't count on Joy herself, a mother suddenly as willful and rebellious as their own kids.
The New York Times-bestselling author Cathleen Schine has been called "full of invention, wit, and wisdom that can bear comparison to [ Jane] Austen's own" (The New York Review of Books), and she is at her best in this intensely human, profound, and honest novel about the intrusion of old age into the relationships of one loving but complicated family. They May Not Mean To, But They Do is a radiantly compassionate look at three generations, all coming of age together.
"Homegoing is an inspiration." --Ta-Nehisi CoatesAn unforgettable New York Times bestseller of exceptional scope and sweeping vision that traces the descendants of two sisters across three hundred years in Ghana and America. A riveting kaleidoscopic debut novel and the beginning of a major career: Yaa Gyasi's Homegoing is a novel about race, history, ancestry, love and time, charting the course of two sisters torn apart in 18th century Africa through to the present day.
"This is an extraordinary book of stories. Many of the characters are anchored to coastal Maine, but a particular quality of wildness animates nearly all of them. The stories are energetic, often mysterious, and beautifully written, and they will stay in your memory long after you finish the book."Charles Baxter
Moving along the Maine Coast and beyond, the interconnected stories in Goodnight, Beautiful Women bring us into the sultry, mysterious inner lives of New England women and girls as they navigate the dangers and struggles of their outer worlds. With novelistic breadth and a quicksilver emotional intelligence, Noyes explores the ruptures and vicissitudes of growing up and growing old, and shines a light on our most uncomfortable impulses while masterfully charting the depths of our murky desires.
A woman watches her husband throw one by one their earthly possessions into the local quarry, before vanishing himself; two girls from very different social classes find themselves deep in the throes of a punishing affair; a motherless teenager is sexually awakened in the aftermath of a local trauma; and a woman s guilt from a childhood lie about her intellectually disabled cousin reverberates into her married years.
Dark and brilliant, rhythmic and lucid, Goodnight, Beautiful Women marks the arrival of a fearless and unique new young voice in American fiction.
In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness. In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and the pain of loss gives way to memories, the little unit of three starts to heal. In this extraordinary debut - part novella, part polyphonic fable, part essay on grief - Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief Is the Thing with Feathers marks the arrival of a thrilling new talent.--
NEW YORK TIMES BESTSELLER
An NPR Best Book of 2016
An Entertainment Weekly Best Book of 2016
A Slate Best Book of the Year
A Washington Post Notable Fiction Pick
-Ms. Straub writes with such verve and sympathetic understanding of her characters. . .[An] entertaining novel. . . deftly and thoughtfully written.- - Michiko Kakutani, The New York Times
-It's 'Friends' meets 'Almost Famous' meets the beach read you'll be recommending all summer.- -TheSkimm
-Straub serves up a perfect slice of the zeitgeist with this entertaining novel about former college bandmates raising their precocious children while grappling with marital tensions and midlife crises.- -People, Named one of -Summer's Best Books-
From the author of the New York Times bestseller The Vacationers, a smart, highly entertaining novel about a tight-knit group of friends from college-- and what it means to finally grow up, well after adulthood has set in.
Friends and former college bandmates Elizabeth and Andrew and Zoe have watched one another marry, buy real estate, and start businesses and families, all while trying to hold on to the identities of their youth. But nothing ages them like having to suddenly pass the torch (of sexuality, independence, and the ineffable alchemy of cool) to their own offspring.